Music sources for Kurt Weill's Na und? in the collection of the Weill-Lenya Research Center, 1926-[ongoing].

ArchivalResource

Music sources for Kurt Weill's Na und? in the collection of the Weill-Lenya Research Center, 1926-[ongoing].

The collection forms part of Series 10, which consists mainly of music manuscripts: non-autograph originals and photocopies of both non-autographs and autographs. It also includes rental materials and some arrangements by other composers. Briefly stated, all music materials for the works of Weill other than those offered for sale by publishers are included, whether in score or parts, as long as they present his music without fundamentally altering its character. (For more details on inclusion/exclusion, see the record for the whole series--"Music sources for the works of Kurt Weill ...," ID NYWS94-A2.) Materials on Na und? include the following: photocopies of sketches; and two recopied vocal score versions of a surviving number from the opera, Shimmy, one incomplete, the other apparently complete.

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Related Entities

There are 3 Entities related to this resource.

Kurt Weill Foundation for Music. Weill-Lenya Research Center.

http://n2t.net/ark:/99166/w6qk8867 (corporateBody)

Weill, Kurt

http://n2t.net/ark:/99166/w6rr1x51 (person)

As a result of the success of his Broadway musical Lady in the dark in 1941, German-born composer Kurt Weill and his wife, the singing actress Lotte Lenya, were able to buy "Brook House," in Rockland County, New York, moving there during their sixth year in the United States. From Brook House, and a couple of addresses in Los Angeles during his trips there, Weill kept in touch, until a month before his death, with his parents, who had emigrated to Israel in 1935. From the description...

Jackson, Felix

http://n2t.net/ark:/99166/w6r501g2 (person)

Born Felix Joachimson in Germany in 1902, Jackson was a music critic and writer in 1920's Berlin, when he met Kurt Weill. They collaborated on an opera entitled Na und?, now lost, and became fast friends. Jackson moved to the United States in the late 1930's and pursued a successful career in films (most notably as the screenwriter for Destry rides again). In the 1970's he wrote an unpublished biography of Kurt Weill. He died in 1992. From the description of An oral history interview...